By Tracy Barrett
Anna Comnena has each cause to think entitled. She's a princess, her father's firstborn and his selected successor. sometime she expects to sit down at the throne and rule the gigantic Byzantine Empire. So the delivery of a toddler brother doesn't perturb her. Nor do the "barbarians" from overseas lands, who imagine just a son should still ascend to energy. Anna is as dismissive of them as are her father and his so much depended on adviser--his mom, a manipulative girl with whom Anna stories the paintings of international relations. Anna relishes her classes, proving adept at checkmating rivals in speedy strikes of psychological chess. yet as she matures right into a younger girl, her conceitedness and intelligence threaten her grandmother. Anna might be no one's puppet. nearly in a single day, Anna sees her desires of strength wrenched from her and bestowed on her little brother. sour on the betrayal, Anna waits to avenge herself, and to grab what's rightfully hers.
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Additional info for Anna of Byzantium
In children’s novels, one of the appeals of the noble savage is his skill in woodcraft, in living off the land. Through playing at Indian or savage, children in books are playacting the trials of growing up in their own world. Children expend a great deal of energy in trying to understand and navigate the world of adults; in fantasy play children can be successful at negotiating and understanding a world separate from adults. They become the subject, not the object, of the action. ” Savages have a kind of freedom most children long for, but rarely achieve, and it is no surprise to find so many of them in the pages of children’s novels.
E. adult, parent). Children—both literal children and the metaphorical “child” subjects of the empire—often play at being adults, and through this play learn some of the lessons of empire. The themes of home, family, and play are contextualized by empire in many works for children between about 1880 and World War II. Kipling was important not only as one of the first writers to embody these themes, but Kipling’s Rules of the Game 17 also as a writer who had a direct influence on many of the children’s writers who followed him.
Kipling was born in India, a complex and contradictory country of jungle and desert, mountain and plain, drought and monsoon; a country populated by a bewildering number of ethnicities and religions, languages and customs; a country with large numbers of native princes, but ultimately under the rule of white Europeans. That such a country spawned as contradictory and at times confounding a writer as Kipling is not surprising. Kipling has posed difficulties for critics since he first began to publish.
Anna of Byzantium by Tracy Barrett